English: Faculty Publications
Bio-adaptation or necro-adaptation? Three versions of Blonde
Document Type
Article
Publication Date
4-12-2025
Publication Title
Adaptation
DOI
10.1093/adaptation/apaf013
Abstract
Andrew Dominik's Blonde (2022) is one of many fictional biopics of Marilyn Monroe and an adaptation of both Joyce Carol Oates's 2000 novel and Joyce Chopra's 2001 miniseries of the same name. Dominik's version is unique in that it is not focused on Monroe's life but rather makes her death the defining moment in her story; this film is not a bio-adaptation but a necro-adaptation. This analysis applies Michele Aaron's concept of necroromanticism and Laura Mulvey's articulation of the death-drive narrative structure to demonstrate that death drives Dominik's narrative about Monroe, betraying his effort to strip her of her voice and agency. In contrast, Oates's novel and Chopra's miniseries focus on Monroe's vitality, constituting bio-adaptations.
Recommended Citation
Konkle, Amanda, "Bio-adaptation or necro-adaptation? Three versions of Blonde" (2025). English: Faculty Publications. 16.
https://digitalcommons.georgiasouthern.edu/english-facpubs/16
Copyright
See the publisher's copyright and reuse policies.
Comments
Georgia Southern University faculty member, Amanda Konkle authored, "Bio-adaptation or necro-adaptation? Three versions of Blonde."