About this Collection
The publications contributed to this Georgia Southern Commons collection are produced by the faculty of the Georgia Southern University College of Arts and Humanities.
Faculty Research in Georgia Southern Commons
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Publishing Information
GS Commons is an open-access digital repository. Copyright and licensing agreements for works published by GS Commons protect the author's rights while facilitating the sharing of research. The works in this gallery were originally published or presented under agreements with entities external to this repository. Records for each work provide the access permitted by the original copyright and licensing agreement. For additional access or questions about a work, please contact the authors or email the GS Commons team.
Submissions from 2012
John Evelyn, Christopher P. Baker
Joost Vondel, Christopher P. Baker
Justus Lipsius, Christopher P. Baker
Richard Crashaw, Christopher P. Baker
Sir Walter Ralegh, Christopher P. Baker
The Duchess of Malfi and Jonson’s ‘On My First Son,’, Christopher P. Baker
William Laud, Christopher P. Baker
A Taste for the Interstitial (間): Translating Space from Beijing to London, Robert K. Batchelor
Book Review: David Porter, The Chinese Taste in Eighteenth Century England, Robert K. Batchelor
Thinking about the Gym: Greek Ideals, Newtonian Bodies, and Exercise in Early Eighteenth-Century England, Robert K. Batchelor
Reassessing the Role of the Abbé in Enlightenment Paris, Jeffrey D. Burson
Reflections on Enlightenment Pluralization and the Notion of Theological Enlightenment as Process, Jeffrey D. Burson
Review of De l’apologétique à l’Eglise constitutionnelle: Adrien Lamourette by Caroline Chopelin-Blanc, Jeffrey D. Burson
The Transnational Dimensions of Jesuit Theological Enlightenment: Father Claude G. Buffier in the Scottish and French Enlightenments, Jeffrey D. Burson
Jesuit Tuscan Libraries of the 1560s and 1570s: "Bibliotheca" not-yet "Selecta", Kathleen M. Comerford
Cuarteles de Invierno: The Silent Subversion of Unsung Tangos, William O. Deaver
Innovations and Traditions: Exploring Technical Advances and Musical Influences in Zoltán Kodály’s Sonata, Op. 8 for Solo Cello, Steven Elisha
My Folk Revival: Childhood, Politics, and Popular Music, Richard Flynn
Review of Telling Children's Stories: Narrative Theory and Children's Literature, Richard Flynn
Review of Robin Bernstein's Racial Innocence: Performing American Childhood from Slavery to Civil Rights, Richard Flynn
Words in Air: Bishhop, Lowell, and the Aesthetics of Autobiographical Poetry, Richard Flynn
Rev. of Between Interruptions: 30 Women Tell the Truth About Motherhood, by Cori Howard, Helen E. Howells
Gower’s ‘The Tale of Constance’: An Exemplum Contra Envy”, Carol Parrish Jamison
Review of Marie de France: A Critical Companion by Sharon Kinoshita and Peggy McCracken, Carol Parrish Jamison
Review of Writing Power in Anglo-Saxon England: Texts, Hierarchies, Economies by Catherine M. Clarke, Carol Parrish Jamison
Alone, Ypsilanti, Jared Yates Sexton
A Man Gets Tired, Jared Yates Sexton
A Reader's Guide To The Collapse of the Romney Campaign, Jared Yates Sexton
Behold, I Come As A Thief, Jared Yates Sexton
Dark Times, Jared Yates Sexton
Everybody Must Give Something Back for Something They Get, Jared Yates Sexton
I Am the Oil of the Engine of the World, Jared Yates Sexton
In All Their Squalor, Jared Yates Sexton
Mediation, Jared Yates Sexton
My Beauty is So Heavy It Could Crush the Whole of the World, Jared Yates Sexton
New and Better Things, Jared Yates Sexton
Now I Am Become Death, Destroyer of Worlds, Jared Yates Sexton
Of Plagues and Destroyed Hearts, Jared Yates Sexton
Research Notes: An End To All Things, Jared Yates Sexton
The Beginning of the End for Willard Mitt Romney, Jared Yates Sexton
The Only Reason I Got To Be Civilized, Jared Yates Sexton
Repetition and Judgment of Learning in Wind Instrument Practice, Laura Stambaugh
Book Review of Quick Reference for Band Directors by Ronald E. Kearns, Laura A. Stambaugh
Differential Effects of Cognitive Load on University Wind Students' Practice, Laura A. Stambaugh
Bad Luck, Laura E. Valeri
Beating Drums in the Caves of the Underworld: The Creative Process as a Journey into the Spiritual World, Laura E. Valeri
The Things We Own Make Us Safe, Laura E. Valeri
Submissions from 2011
Review of "Grunts: Inside the American Infantry Combat Experience: World War II through Iraq" by John C. McManus, William T. Allison
Greedily she ingorg'd: Eve and the Bread of Life, Christopher P. Baker
Saint Peter and Macbeth’s Porter, Christopher P. Baker
Crying a Muck: Collecting, Domesticity and Anomie in Seventeenth-Century Banten and England, Robert K. Batchelor
Porcelain, Robert K. Batchelor
Claude G. Buffier and the Maturation of the Jesuit Synthesis in the Age of Enlightenment, Jeffrey D. Burson
The New Art of Revision?: Research Papers, Blogs, and the First Year Writing Classroom, Lisa A. Costello
Prisoners of War (POWS), Elizabeth F. Desnoyers-Colas
Rhonda Cornum, Elizabeth F. Desnoyers-Colas
Ambivalent, Double, Divided: Reading and Rereading Perry Nodelman, Richard Flynn
Men of Our Time, Richard Flynn
Randall Jarrell's The Bat-Poet: Poets, Children and Readers in an Age of Prose, Richard Flynn
Review of Media, NASA, and America’s Quest for the Moon by Harlen Makemson, Reed W. Smith
The Oral History Project: An Interview with Betty Winfield, Reed W. Smith
An Examination of a MIDI Wind Controller for Use in Instrumental Research, Laura A. Stambaugh
Repetition and Judgment of Learning in Wind Instrument Practice, Laura A. Stambaugh
When Repetition Isn't the Best Practice Strategy: Effects of Blocked and Random Practice Schedules, Laura A. Stambaugh
A Texture the Facts Can’t Convey: An Interview with Susanna Daniels, Laura E. Valeri
Fallow Fields, Laura E. Valeri
Ghost Story, Laura E. Valeri
Logorrhea, Laura E. Valeri
Review of Animal Sanctuary by Sarah Falkner, Laura E. Valeri
Review of Dirty Jobs For Women and Girls by Alissa Nutting, Laura E. Valeri
Review of The Countess by Rebecca Johns, Laura E. Valeri
Soatsaki, Laura E. Valeri
Soatsaki, Laura E. Valeri
Submissions from 2010
Official Historians and Academic Historians: Bridging the Gap in Military History, William T. Allison
Review of "Not a Gentleman’s War: Junior Officers and the Vietnam War" by Ron Milam, William T. Allison
Charmian’s ‘lass unparallel’d’, Christopher P. Baker
Review of Pierre Bayle (1647-1706), Le philosophe de Rotterdam: Philosophy, Religion and Reception edited y Wiep van Bunge and Hans Bots, Jeffrey D. Burson
Three Waves of Immigration: Waving (Wavene) the Flag of Patriotic Fervor, William O. Deaver
Review of Words in Air: The Complete Correspondence between Elizabeth Bishop and Robert Lowell, Richard Flynn
Communicating the Risk of Scientific Research, Timothy D. Giles
Producing the Prince of Publishing: Charlotte Brontë and George Smith, Helen E. Howells
Review of Guide to Grammar and Writing Website sponsored by the Capital Community College Foundation, Carol Parrish Jamison
Review of The Oxford Handbook of Linguistic Analysis edited by Bernd Heine and Heiko Narrog, Oxford University Press, Carol Parrish Jamison
Cervantes y Boullosa: relaciones intertextuales en "La otra mano de Lepanto", Dolores Rangel
Regulating the Regulators: The Conflict between the Congressional Oversight Subcommittee and the FCC, Reed W. Smith
The Oral History Project: An Interview with Michael Murray, Reed W. Smith
The Oral History Project: An Interview with Wallace Eberhard, Reed W. Smith
A Comparison of Blocked and Random Practice Orders with University Wind Players., Laura Stambaugh
Blood Travels, Laura E. Valeri
Dead, Laura E. Valeri
Interview with Rebecca Johns, Author of The Countess, Laura E. Valeri
Lilith, Laura E. Valeri
Review of Valeria’s Last Stand by Marc Fitten, Laura E. Valeri
Shot, Laura E. Valeri
Spread, Laura E. Valeri
The Prophet, Laura E. Valeri
Unexcused Absences, Laura E. Valeri
What You Don’t Know May Block You: The Ever-Elusive Fairy of Research and Writing, Laura E. Valeri
Submissions from 2009
A. D. Cousins, ed. The Shakespeare Encyclopedia: The Complete Guide to the Man and His Works, Christopher P. Baker
