Collection preserves presentations by current and former faculty and staff.
Submissions from 2001
An Overview of Hispanic Literature of the U. S., William O. Deaver
Memories of Underdevelopment, William O. Deaver
Submissions from 2000
Cara y cruz en la poesía de Marcela Del Río, William O. Deaver
Lo romántico en Un viejo que leía novelas de amor, William O. Deaver
Submissions from 1999
García Márquez’s Use of Days in Several Short Stories, William O. Deaver
Got Milk? A Case of Udder Despair in ‘Milkmaid’ from Roberto G. Fernández’s Holy Radishes!, William O. Deaver
La vida loca en Memory Mambo, William O. Deaver
Social Protest in Agustín Cuzzani’s Sempronio, William O. Deaver
The Last Supper: Art as Propaganda, William O. Deaver
The Last Supper: Dogma, Dogs, and Do-goodism, William O. Deaver
Submissions from 1998
Obsesión, posesión, y opresión en Del amor y otros demonios, William O. Deaver
The Concept of Honor in Del amor y otros demonios, William O. Deaver
Submissions from 1997
Acceleration, Polar Inertia, and the Scatalogical/Eschatalogical in Julio Garmendia's 'La máquina de hacer pu!pu!puuu!', William O. Deaver
From Polyglossia to Disglossia: Defining Chronotope, Authority, and Subversion in Raining Backwards, William O. Deaver
La vida es un special o la vorágine del consumo, William O. Deaver
Submissions from 1996
Gender Construction in Elías Miguel Muñoz's The Greatest Performance, William O. Deaver
Holy Radishes!: Image Is Everything, William O. Deaver
The Greatest Performance: Homosexual Bias or by Ass, William O. Deaver
Submissions from 1995
Raining Backwards, William O. Deaver
Raining Backwards: Stylization and Mimicry, William O. Deaver
The Virgin, Biblical Knowledge, and the Papal Smear, William O. Deaver
Submissions from 1994
A Deconstruction of Patriarchal Law in Camino de perfección, William O. Deaver
Ambivalence and Discourse in Alien Nation, William O. Deaver
