Theses from 2024
"Widsith came to talk": Preservation of the Scop within Old English Poetry, India M. Johnson-McCauley
Ink and Intimacy: A Cultural Affair, Kennedi J. Williams
Theses from 2023
Desire in Bridgerton: Defining the Female Gaze, Hailey C. Coles
“What Do Any Of Us Really Know About Love:” A Discussion of Irony within Raymond Carver’s Short Story Cycle What We Talk About When We Talk About Love, NiYonna Johnson
Literature Through the Looking Glass: How Fan Fiction Can Save English, Jacob C. Quinn
For the Love of Stories: Re-examining Academia’s Responsibility in Presenting Literature in the 21st Century, April Trepagnier
Theses from 2022
Fingerprints of Feeling: The Romantic Influence on Later Poetry, Brooke M. Neal
Unmasking the Monster: Cathy Ames in John Steinbeck's East of Eden, Julia N. Parker
Theses from 2021
From Camp Meetings to Crusades: African American Religious Songs in Context, Konner B. Smith
Theses from 2019
Los Angeles, Pittsburgh, and Nowhere: The Influence of Place on Bildungsroman, Brady Gwynn
Gone with the Wind and The Lost Cause, Caitlin Hall
Speculative Fiction and Speculative Ethics: Society, Science Fiction, and the Thomas Theorem, Daniel O. Missroon
Female Protagonists in Dystopian Literature, Olivia B. Thompson
Theses from 2018
"A Crack in the Ice": Attachment and Insanity in Pink Floyd's The Wall, Margaret E. Geddy
Looking at the Onlookers: The Attitudes of Women's WWI Poetry, Kaitlyn M. Hodges
Worldwide Waters: Laurasian Flood Myths and Their Connections, Logan A. McDonald
Theses from 2016
The Odes Project, Lydia E. Biggs
Re-Presenting the Past: Valuing Perspective and the Plural Nature of Truth in the Historical Poetry of Rita Dove, Carmen Gray 2890070
Continuity in Color: The Persistence of Symbolic Meaning in Myths, Tales, and Tropes, McKinley May
Theses from 2015
"That Flesh-locked Sea of Silence”: Language, Gender, and Sexuality in Beckett’s Short Fiction, Emily F. Oliver
Theses from 2014
Gender Differentiation and Gender Hierarchy in C. S. Lewis, Alicia D. Burrus
“SO IT GOES:” Hope Amidst Chaos in "Slaughterhouse-Five", Kelsey R. Keane
