"That Flesh-locked Sea of Silence”: Language, Gender, and Sexuality in Beckett’s Short Fiction

Name

Emily F. Oliver, Georgia Southern UniversityFollow

Publication Date

4-20-2015

Major

English (B.A.)

Release Option

Open Access

Faculty Mentor

Dr. Joe Pellegrino

Abstract

This paper asserts the interconnectedness of language, gender, and sexuality in the short prose of Samuel Beckett. “Assumption,” “First Love,” and “Enough,” are used as specific examples of Beckett’s fiction, selected because they assist in understanding Beckett’s participation in, and inversion of, the hegemonic privileging of the masculine. This interpretation focuses on the use of gendered language, verbalization as a sexual expression, and the manipulation of the “male” and “female” voice. The analysis is both informed by, and seeks to nuance, the linguistic criticism established by second-wave French feminists Kristeva, Irigaray, and Cixous.

Recommended Citation

Oliver, Emily F., ""That Flesh-locked Sea of Silence”: Language, Gender, and Sexuality in Beckett’s Short Fiction" (2015). Honors College Theses. 95.
https://digitalcommons.georgiasouthern.edu/honors-theses/95