College of Arts & Humanities: Faculty Presentations (1991-2023)
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Collection preserves presentations by current and former faculty and staff.
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from 1998
A Shakespearean Analogue for Milton's Sonnet 23, Christopher P. Baker
Bodies (Impolitic in Shakespeare's Tetralogies, Christopher P. Baker
Chair, Fifth round of sessions, Christopher P. Baker
Chair, Gender and Power in Renaissance Drama, Christopher P. Baker
"Why seems it so particular with thee?": Hamlet's Double Grief,, Christopher P. Baker
Obsesión, posesión, y opresión en Del amor y otros demonios, William O. Deaver
The Concept of Honor in Del amor y otros demonios, William O. Deaver
The stories of rural HIV+/AIDS individuals: Redemption through the desire to help others and the power of spiritual healing and forgiveness, Beverly L. Graham and Chris B. Geyerman
Disciples or Pharisees: The Religious Press and the Carter Presidency, Reed W. Smith
from 1997
Acceleration, Polar Inertia, and the Scatalogical/Eschatalogical in Julio Garmendia's 'La máquina de hacer pu!pu!puuu!', William O. Deaver
From Polyglossia to Disglossia: Defining Chronotope, Authority, and Subversion in Raining Backwards, William O. Deaver
La vida es un special o la vorágine del consumo, William O. Deaver
Improving the internship experience through MBO: A content analysis of student internship goals, Beverly L. Graham and Pamela Bourland-Davis
Student intern's perspectives on goals, Beverly L. Graham and Pamela Bourland-Davis
Informal social support of rural American patients with HIV+, Beverly L. Graham and M. K. Pung
A Qualitative Analysis of the Family When Television Entered the American Home, Reed W. Smith
from 1996
"The Burnt-offering Motif in Donne's "Canonization", Christopher Baker
Two Models of Leadership from Shakespeare: Richard II and Henry V, Christopher P. Baker
Gender Construction in Elías Miguel Muñoz's The Greatest Performance, William O. Deaver
Holy Radishes!: Image Is Everything, William O. Deaver
The Greatest Performance: Homosexual Bias or by Ass, William O. Deaver
Mystery as Source in the Fiction of Philip K. Dick, Timothy D. Giles
Ohio Academy of History, Reed Smith
Mass Communication Research Competition, Reed W. Smith
from 1995
Chair, panel on Shakespearean Comedy, Christopher P. Baker
