Collection preserves publications by current and former faculty and staff.
Submissions from 2024
Navigating Challenges: Teaching and Learning Through a Pandemic, Olga Amarie
Submissions from 2023
Bananas and Men: Carmen Lyra and the Aprista and Mariateguista Influence, Ana Torres
Hacia una deconstrucción de la novel Hostal Amor, Ana Torres
Submissions from 2022
Collaborative Learning Approach to Teaching Content-Based Intermediate Japanese Language Course, Noriko Mori-Kolbe Ph.D.
Submissions from 2021
Potential Quantitative Analysis as Ludic Interface ∈ by Jacques Roubaud, Olga Amarie, Dragos Amarie, and Lillian Morgado
Remy de Gourmont 1858-1915, Hollis Beach and Olga Amarie
Entre el vacío y la llenura: la poética de Angelina Muñiz-Huberman, Dolores Rangel
Submissions from 2020
Displacement Vector Analysis on the GO Board in E by Jaques Roubaud, Olga Amarie and Dragos Amarie
Submissions from 2019
Like Clockwork: French Automatons in Life and Literature, William B. Holley
Locks of Gold, Locks of Jade: Hair as the Femme Fatale’s Weapon of Choice in Paul Féval’s La vampire and La ville-vampire , William B. Holley
Submissions from 2018
Amour et séduction dans la Légende de Tristan et Iseut chez Béroul, Thomas et Albert Cohen, Florin Beschea and Olga Amarie
El anti-don Juan de Valle-Inclán, García Márquez y Mayra Montero en las Sonatas, Memoria de mis putas tristes y Púrpura profundo, William O. Deaver
Chivalry without Borders: A Classroom Collaboration between English and Spanish Medievalists, Grant A. Gearhart and Carol Parrish Jamison
Dramatic multiplicity in Sea Murmur, Dolores Rangel
Submissions from 2017
Invitation à La Cathédrale de Mots, Ioan Găină, Olga Amarie, and Marie-Line Brunet
Poèmes graphiques de l’hymne « Notre Langue » (Limba Noastră), Ioan Găină, Olga Amarie, and Marie-Line Brunet
Graphical Poems for the Anthem “Our Language” (Limba Noastră), Ioan Găină, Olga Amarie, and Michael Dow
Invitation to the Cathedral of Words, Ioan Găină, Olga Amarie, and Emanuel J. Mickel
Am I my Brother's keeper? Émile Zola’s Thérèse Raquin as a retelling of Cain and Abel, William B. Holley
Multiplicidad dramática en Rumor de Mar de Dino Armas, Dolores Rangel
Reflections by Federico Campbell about the writing process, Dolores Rangel
Submissions from 2016
Le degré d’argumentation des constructions adjectivales dans La Vue de Raymond Roussel, Olga Amarie
Ambivalence and Discourse in Alien Nation, William O. Deaver
Metafísica y Estética en los ensayos de Borges, Dolores Rangel
Learning a second language increases cognitive processes, Diana Serrano
Submissions from 2015
Étudier à l’étranger : une cartographie des risques, Olga Amarie
Review of "Fictions of the Transcendental. Newark" by Octave Mirbeau, Olga Amarie
’Dulce amor mío’ de Rocío Silva-Santisteban: un mapa del deseo, William O. Deaver
Poe, Burroughs y Cortázar: Pre-textos y pretextos, William O. Deaver
Polit Dueñas, Gabriela. Narrating Narcos: Culiacán and Medellín, William O. Deaver
Submissions from 2014
Memories of Underdevelopment: Justifying the Cuban Revolution, William O. Deaver
Creación y Locura en la Visión Apocalíptica de Dulcinea Encantada, Dolores Rangel
La Visión Del Indígena en El Resplandor De Mauricio Magdaleno: Discurso Nacionalista y Fracaso Revolucionario, Dolores Rangel
Submissions from 2013
Coup d'oeil sur ... Georgia Southern University, Olga Amarie
Review of "Anti-Saints: The New Golden Legend of Sylvain Maréchal" by Sheila Delany, Olga Amarie
Cien años de soledad: the Critique of Sophism and Pseudo-Science, William O. Deaver
Fresa y chocolate: A Subtle Critique of the Revolution in Crisis, William O. Deaver
Un día en la vida: imágenes y símbolos de la guerra civil en El Salvador, William O. Deaver
Submissions from 2012
Au-delà des idées reçues dans la nouvelle du vingt-et-unième siècle, Olga Amarie
Georges Perec and Roman Opalka: From the Final Gaze to the Defeat of Death, Olga Amarie
Le fractionnement et la continuité du moi dans l’écriture oulipienne, Olga Amarie
Cuarteles de Invierno: The Silent Subversion of Unsung Tangos, William O. Deaver
Submissions from 2010
Three Waves of Immigration: Waving (Wavene) the Flag of Patriotic Fervor, William O. Deaver
Cervantes y Boullosa: relaciones intertextuales en "La otra mano de Lepanto", Dolores Rangel
Submissions from 2009
Representations of Mexican American Migrant Childhood in Rivera´s . . . y no se lo tragó la tierra and Viramontes´s Under the feet of Jesus, Scott A. Beck and Dolores Rangel
Diario de Irak: A Just War or Just War?, William O. Deaver
El laberinto del fauno: una alegoría para la España democrática, William O. Deaver
El proyecto de nación e identidad de Vicente Riva Palacio en "Martín Garatuza", Dolores Rangel
Submissions from 2008
I Am Cuba: The Quest for Self-Determination and Identity, William O. Deaver
Los extremos de la sexualidad en la caracterización literaria de Vargas Llosa: El chivo, Gauguin y Flora Tristán, Dolores Rangel
Una lectura de la sociedad porfiriana en Nadie me verá llorar de Cristina Rivera Garza, Dolores Rangel
Submissions from 2007
Cara y cruz en la poesía de Marcela Del Río, William O. Deaver
Book review of Josefina Vicens. Un vacío siempre lleno by Maricruz Castro and Aline Pettersson, Dolores Rangel
Dulces y violentas transvestis: las mujeres pirata en Lobas de mar de Zoé Valdés, Dolores Rangel
Muñiz-Huberman: neomisticismo, exilio y memoria en Morada interior, Dolores Rangel
Submissions from 2006
Juan Felipe Toruño: cuentista comprometido de la insurrección, William O. Deaver
The Virgin, Biblical Knowledge, and the Papal Smear in Raining Backwards, William O. Deaver
Submissions from 2005
Valle-Arizpe: Vocación por la Colonia, Dolores Rangel
Submissions from 2003
The Music of Rubén Blades and the Short Stories of Gabriel García Márquez: Cantando/Contando the Post-Colonial Legacy, William O. Deaver
Submissions from 2002
El mundo de la selva en Un viejo que leía novelas de amor, William O. Deaver
Lo religioso en un cuento de Clarín, William O. Deaver
Reading Simulacra: The Specter of Consumerism Is Haunting Us, William O. Deaver
Submissions from 2001
Beyond Postmodernism: Reading Tratándose de ustedes, William O. Deaver
García Márquez’s Use of Days in Several Short Stories, William O. Deaver
The Concept of Honor in Gabriel García Márquez’s Del amor y otros demonios, William O. Deaver
Virgil Suárez's The Cutter and Going Under: Beat on the Drum or Beaten by the Humdrum?, William O. Deaver
Submissions from 2000
Obsesión, posesión, y opresión en Del amor y otros demonios, William O. Deaver
Submissions from 1999
Intimate Dwellings: Meditations on Shelter and Sheltered Meditations in Roberto G. Fernández's 'Coquina House', William O. Deaver
La aceleración, la inercia polar y lo escatológico en 'La máquina de hacer ¡pu! ¡pu! ¡puuu!' por Julio Garmendia, William O. Deaver
La vida es un special o la vorágine del consumo, William O. Deaver
The Last Supper: Art as Propaganda, William O. Deaver
Submissions from 1998
La transposición de fuentes indígenas en Cien años de soledad, William O. Deaver
Submissions from 1997
From Polyglossia to Disglossia: Defining Chronotope, Authority, and Subversion in Raining Backwards, William O. Deaver
Submissions from 1996
Gender Construction in Elías Miguel Muñoz's The Greatest Performance, William O. Deaver
Holy Radishes!: Image Is Everything, William O. Deaver
Menippean Satire and Skaz in Raining Backwards, William O. Deaver
Structure, Theme, Motif, and Dialogue in Raining Backwards, William O. Deaver
The Prodigal Son in the Structure of Raining Backwards, Crazy Love, and Latin Jazz, William O. Deaver
Una desconstrucción feminista de Camino de perfección, William O. Deaver
Submissions from 1994
A Deconstruction of Patriarchal Law in Camino de perfección, William O. Deaver
