Term of Award
Fall 2020
Degree Name
Master of Fine Arts (M.F.A.)
Document Type and Release Option
Thesis (open access)
Copyright Statement / License for Reuse
This work is licensed under a Creative Commons Attribution 4.0 License.
Department
Department of Art
Committee Chair
Jason Hoelscher
Committee Member 1
Jeff Garland
Committee Member 2
Kelly Boehmer
Abstract
People interpret and categorize visual cues not only to create a concept of an identity. We assume who a person is, and what their personality is like, based on these visual cues that are in turn plagued with established norms and biases that can connect or divide. Cultural norms, such as gender, sexuality, race, or political standing can be further expressed visually through textile patterns, motifs, and color. Even so, the many cultural signifiers serve only as clues to a person’s identity that encompasses many different cultural aspects, despite common practice to relate to only one. Through my textile statues, which mix different patterns, colors and motifs found in fabrics, I convey the multicultural nature all people share. In this paper I explain my concepts of textiles as representing identity as being multicultural, creation of the textile statues, artistic influences, and a reflection on the final thesis exhibit.
OCLC Number
1231501051
Catalog Permalink
https://galileo-georgiasouthern.primo.exlibrisgroup.com/permalink/01GALI_GASOUTH/1r4bu70/alma9916406650802950
Recommended Citation
Phillips, Tameka S., "Patterns of Identity" (2020). Electronic Theses and Dissertations. 2184.
https://digitalcommons.georgiasouthern.edu/etd/2184
Research Data and Supplementary Material
No