Honors College Theses
Publication Date
5-18-2020
Major
Multimedia Film & Production (B.S.)
Release Option
Archived
Faculty Mentor
Abbey Hoekzema
Abstract
This research analyzes two films, Green Book (2018) and BlacKKKlansman (2018), to uncover the connections between diverse racial representation off-screen, and the presentation of non-white perspectives on-screen. This study uses CRT to frame the effects of diverse source materials and production teams on the films' narratives.
Thesis Summary
This research uses Critical Race Theory to analyze Green Book (2018) and BlacKKKlansman (2018) to uncover the connections between diverse racial representation off-screen, and the presentation of non-white perspectives on-screen.
Copyright
This work is archived and distributed under the repository's Standard Copyright and Reuse License (opens in new tab). End users may copy, store, and distribute this work without restriction. For all other uses, permission must be obtained from the copyright owners or their authorized agents.
Recommended Citation
Posey, Kelsie E., "Green Book (2018) and BlacKKKlansman (2018): An Analysis of White and Black Perspectives in Contemporary Films Using Critical Race Theory" (2020). Honors College Theses. 507.
https://digitalcommons.georgiasouthern.edu/honors-theses/507
