Down by the Riverside: Pete Seeger’s Radical Environmental Pedagogy

Abstract

In this presentation, I examine the environmental turn in Pete Seeger’s music and activism, which began in the 1960’s and continued until his passing in 2014. Intersecting music, sailing, and history, Seeger constructed a radical environmental pedagogy that encouraged local citizens to reclaim and revive the Hudson River and the industrial waterfront. Analyzing Seeger’s music and performance alongside his innovative experiments in environmentalism and social justice, I show how Seeger’s life and work during this period reflect a shift and evolution in his understanding of the relationship between nature and culture, merging human rights and environmental action.

Presentation Description

In this presentation, I examine the environmental turn in Pete Seeger’s music and activism, which began in the 1960’s and continued until his passing in 2014. Intersecting music, sailing, and history, Seeger constructed a radical environmental pedagogy that encouraged local citizens to reclaim and revive the Hudson River and the industrial waterfront. Analyzing Seeger’s music and performance alongside his innovative experiments in environmentalism and social justice, I show how Seeger’s life and work during this period reflect a shift and evolution in his understanding of the relationship between nature and culture, merging human rights and environmental action.

Location

Stream C: Pushing Methodological Boundaries

Publication Type and Release Option

Presentation (Open Access)

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Jun 11th, 1:00 PM Jun 11th, 2:15 PM

Down by the Riverside: Pete Seeger’s Radical Environmental Pedagogy

Stream C: Pushing Methodological Boundaries

In this presentation, I examine the environmental turn in Pete Seeger’s music and activism, which began in the 1960’s and continued until his passing in 2014. Intersecting music, sailing, and history, Seeger constructed a radical environmental pedagogy that encouraged local citizens to reclaim and revive the Hudson River and the industrial waterfront. Analyzing Seeger’s music and performance alongside his innovative experiments in environmentalism and social justice, I show how Seeger’s life and work during this period reflect a shift and evolution in his understanding of the relationship between nature and culture, merging human rights and environmental action.