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Abstract

This essay aims to discuss the actualization of the imperialist language through the Peacock Dress of Lady Mary Curzon, the new viceroy’s wife in the British colonial India. As the essay argues, the Peacock Dress holds within it a history of appropriation, not appreciation. It highlights the unique colonizing language of the British rule, the racist cloaked as ‘civilizing’ sentiments of the West, the subjugation of the Indian textile industry, and the manifold ways that the British turned their Indian subjects into a colonial Other.

First Page

61

Last Page

75

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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