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Abstract

This essay tries to interpret a 17th-century Dutch painting, the Interior of a Chinese Shop from a postcolonial perspective. It argues that the picture is a reflection of the desire and anxiety of the Dutch empire to collect oriental luxuries under the context of mercantilism. It is a heterogeneous space that consists of exotic objects from different geographical zones and timelines, which corresponds to Foucault’s concept of “heterotopia.” The fantasy shown from the painting exposes real spaces and reveals the complexity between Self and Other, leading to a place that is beyond the dualist structure.

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157

Last Page

166

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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