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Submissions from 2018

‘Stupidly good’: A Classical Context for Milton’s Satan, Christopher P. Baker

The Seven Deadly Sins of Social Media, Carol P. Jamison

Marilyn Monroe, Murderess, Amanda P. Konkle

Postfeminism the Musical: The CW’s Crazy Ex-Girlfriend, Amanda P. Konkle

Submissions from 2015

The Chivalric Code of Westeros, Carol P. Jamison

Submissions from 2013

Servile Copulation in Milton’s Doctrine and Discipline of Divorce, Christopher P. Baker

Using Savannah as Text, Helen E. Howells

Submissions from 2011

Adrienne Rich’s ‘Diving into the Wreck, Helen E. Howells

Beyond Bob Dylan: Composition and Literature in the Classroom, Helen E. Howells

Willa Cather’s ‘Paul’s Case, Helen E. Howells

Submissions from 2009

A New Testament Analogue for the Porter Scene in Macbeth, Christopher P. Baker

Submissions from 2000

Marvell's 'Echoing Song' as tombeau, Christopher P. Baker

Submissions from 1999

Chair, "Non-Shakespearean Drama", Christopher P. Baker

Submissions from 1998

A Shakespearean Analogue for Milton's Sonnet 23, Christopher P. Baker

Bodies (Impolitic in Shakespeare's Tetralogies, Christopher P. Baker

Chair, Fifth round of sessions, Christopher P. Baker

Chair, Gender and Power in Renaissance Drama, Christopher P. Baker

"Why seems it so particular with thee?": Hamlet's Double Grief,, Christopher P. Baker

Submissions from 1995

Chair, panel on Shakespearean Comedy, Christopher P. Baker

"Nada: Sacred and Profane in Hemingway's " 'A Clean, Well-Lighted Place", Christopher P. Baker

Submissions from 1994

A Rationale for Lifelong Learning, Christopher P. Baker

Submissions from 1991

Chair, "Rhetoric and Style in a Print Culture", Christopher P. Baker